On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it.
Ten years ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extra. But in their fourth and final year, the balance of power begins to shift, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent.
PUBLISHER: Corgi/Delacorte Press
PUBLICATION DATE: 5th July (UK) 10th July (US) 2018
RATING: ☆ ☆ ☆ ☆ ☆ GOODREADS
This is the third and final novel in The Conquerors’ Saga, also known as And I Darken, Now I Rise, and Bright We Burn. Instead of spoiling you with the synopsis of this book, I’ll give you the blurb for And I Darken:
No one expects a princess to be brutal. And Lada Dragwlya likes it that way. Ever since she and her gentle younger brother, Radu, were wrenched from their homeland of Wallachia and abandoned by their father to be raised in the Ottoman courts, Lada has known that being ruthless is the key to survival. She and Radu are doomed to act as pawns in a vicious game, an unseen sword hovering over their every move. For the lineage that makes them special also makes them targets.
Lada despises the Ottomans and bides her time, planning her vengeance for the day when she can return to Wallachia and claim her birthright. Radu longs only for a place where he feels safe. And when they meet Mehmed, the defiant and lonely son of the sultan, Radu feels that he’s made a true friend—and Lada wonders if she’s finally found someone worthy of her passion.
But Mehmed is heir to the very empire that Lada has sworn to fight against—and that Radu now considers home. Together, Lada, Radu, and Mehmed form a toxic triangle that strains the bonds of love and loyalty to the breaking point.
Betrothed since childhood to the prince of Mynaria, Princess Dennaleia has always known what her future holds. Her marriage will seal the alliance between Mynaria and her homeland, protecting her people from other hostile kingdoms.
But Denna has a secret. She possesses an Affinity for fire—a dangerous gift for the future queen of a land where magic is forbidden.
Now Denna has to learn the ways of her new kingdom while trying to hide her growing magic. To make matters worse, she must learn to ride Mynaria’s formidable warhorses before her coronation—and her teacher is the person who intimidates her most, the prickly and unconventional Princess Amaranthine, sister of her betrothed.
When a shocking assassination leaves the kingdom reeling, Mare and Denna reluctantly join forces to search for the culprit. As the two work together, they discover there is more to one another than they thought—and soon their friendship is threatening to blossom into something more.
But with dangerous conflict brewing that makes the alliance more important than ever, acting on their feelings could be deadly. Forced to choose between their duty and their hearts, Mare and Denna must find a way to save their kingdoms—and each other.
For Angel Rahimi, life is only about one thing: The Ark – a pop-rock trio of teenage boys who are currently taking the world by storm. Being part of The Ark’s fandom has given her everything – her friendships, her dreams, her place in the world.
Jimmy Kaga-Ricci owes everything to The Ark too. He’s their frontman – and playing in a band is all he’s ever dreamed of doing. It’s just a shame that recently everything in his life seems to have turned into a bit of a nightmare.
Because that’s the problem with dreaming – eventually, inevitably, real life arrives with a wake-up call. And when Angel and Jimmy are unexpectedly thrust together, they will discover just how strange and surprising facing up to reality can be.
Gosh I love the feeling after reading a book by Alice Oseman.
Publisher: Simon & Schuster
Publication Date: 12th September 2017
Rating: ☆ ☆ ☆ ☆ ☆ Goodreads
Three years ago, Tanner Scott’s family relocated from California to Utah, a move that nudged the bisexual teen temporarily back into the closet. Now, with one semester of high school to go, and no obstacles between him and out-of-state college freedom, Tanner plans to coast through his remaining classes and clear out of Utah.
But when his best friend Autumn dares him to take Provo High’s prestigious Seminar—where honour roll students diligently toil to draft a book in a semester—Tanner can’t resist going against his better judgement and having a go, if only to prove to Autumn how silly the whole thing is. Writing a book in four months sounds simple. Four months is an eternity.
It turns out, Tanner is only partly right: four months is a long time. After all, it takes only one second for him to notice Sebastian Brother, the Mormon prodigy who sold his own Seminar novel the year before and who now mentors the class. And it takes less than a month for Tanner to fall completely in love with him.
Sixteen-year-old Starr Carter moves between two worlds: the poor neighborhood where she lives and the fancy suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Khalil was unarmed.
Soon afterward, his death is a national headline. Some are calling him a thug, maybe even a drug dealer and a gangbanger. Protesters are taking to the streets in Khalil’s name. Some cops and the local drug lord try to intimidate Starr and her family. What everyone wants to know is: what really went down that night? And the only person alive who can answer that is Starr.
But what Starr does or does not say could upend her community. It could also endanger her life.
I hate to say what almost every single review of this book has said, but I’d rather say it now than talk about it at length. This book is important. I’ve used it to describe books before and I’m kind of getting sick of it. It does it’s job, but at the same time, is that all this story is good for? Of course not. Stories are important, of course, but I don’t think people should feel like they have to read it because it’s important. It should be read to have a better understanding of what’s going on in the U.S. today, and why it needs be written about.
I loved The Hate U Give, for many reasons, but none of them were because this book is important.
I loved this book because it was different. I love looking for new stories to devour that aren’t the same old same old that we see cover the shelves at Waterstones. This was a story that I had only seen in the news; twisted and manipulated by the media to only show us one perspective. While this story is a work of fiction, it’s very real and and no doubt accurate. It was a change, and refreshing.
I loved this book because it was entertaining. I loved Starr’s family dynamic and the relationships she had with her parents, her siblings, her boyfriend, and her friends. The community she lives in that, while riddled with crime and neglected, still gave me a warm, familial feel that showed us that family stretched further than the walls of your house. Starr’s personality shone from the page, even when she was going through such devastating events. She wasn’t a ‘strong female character’, she was a real female character.
I loved this book because of the impact it will have. As a white woman who hasn’t even set foot in the U.S., I’ve seen my fair share of black stereotypes, and often it was odd for me to read depictions and passages and dialogue and not think it racist. I think, if this were written by anyone else, it would have been deemed questionable, but you cannot question the experiences of a black person about black culture. This was one depiction, but it was a true and experienced depiction (obviously not word for word, The Hate U Give isn’t an autobiography). But the thing is, I was thinking about it along the lines of ‘white people are going to read this and think all black people talk/act like this in this ‘ghetto way’ oh no’. But to be honest, this book isn’t really for them if they’re going to read it and come away with that rather than any of the other very explicit messages in this story. And plus, this story was written to inform yes, but mainly, to represent. There are so many young POC who love to read and yet all they get to read about are people they cannot relate to, about people who wouldn’t listen to them if they tried to share their story. So to have The Hate U Give depict one of the frank and honest and accurate depictions of being black in the U.S. today to black teens who are living this shit is by far a better thought to come away with than what white people may think about it.
You may be wondering why I’ve only given it 4.5 stars after raving about it for so long. I’ve literally just taken away half a star just because this wasn’t a book that I was glued to. I was easily taken out of the story because a lot of the dialogue I had to go back and read because I wasn’t sure if I’d ingested it correctly. I’ve had this with other books before that are either written with a dialect or even in phonetic speech (damn you Trainspotting!) and so that was a pain. But thankfully, it didn’t take away from the story and I was still able to enjoy despite being a slow reader!
Publisher: Simon & Schuester
Release Date: 7th September 2017
Rating: ☆ ☆ ☆ ☆ Goodreads
When Mateo receives the dreaded call from Death-Cast, informing him that today will be his last, he doesn’t know where to begin. Quiet and shy, Mateo is devastated at the thought of leaving behind his hospitalised father, and his best friend and her baby girl. But he knows that he has to make the most of this day, it’s his last chance to get out there and make an impression.
Rufus is busy beating up his ex-girlfriend’s new boyfriend when he gets the call. Having lost his entire family, Rufus is no stranger to Death-Cast. Not that it makes it any easier. With bridges to mend, the police searching for him and the angry new boyfriend on his tail, it’s time to run.
Isolated and scared, the boys reach out to each other, and what follows is a day of living life to the full. Though neither of them had expected that this would involve falling in love…
This is the first Adam Silvera novel where I haven’t cried, which is sad in itself because I love it when I cry at Adam Silvera novels. You’re supposed to cry; you’re supposed to have emotion pouring out of you. So while I enjoyed They Both Die At The End, there was always a small voice in the back of my head wondering why I don’t have butterflies in my stomach and my eyes not on the verge of tears.
I loved both Mateo and Rufus and how distinct their voices were. They definitely complimented each other and would have loved to see their relationship evolve, but I think it would have felt a little more realistic if maybe there was a bit more time in between them meeting and falling in love? I already had to suspend my disbelief with Death-Cast which, I really couldn’t, and it glared out at me while I was trying to concentrate on other part of the stories.
I want to point how happy I was when I found out that Rufus was bisexual. This isn’t a spoiler, a character’s sexuality isn’t a spoiler or a plot reveal, but it was so lovely to see the word used, to have a character to say that they are bisexual and to be proud and wear the label on their sleeve without any ‘I don’t use labels’ or ‘I’m just fluid’. Sometimes, people are bisexual, and characters who allude to be don’t say it enough in canon. So thankyou Adam Silvera. BISEXUAL VISIBILITY! *raises fist*
Great third novel by one of my favourite authors. But not my favourite novel by one of my favourite authors.