The Good Immigrant Edited By Nikesh Shukla

Publisher: Unbound
Release Date: 22nd September 2016
Rating:  ☆ ☆ ☆ ☆ ☆
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How does it feel to be constantly regarded as a potential threat, strip-searched at every airport?

Or be told that, as an actress, the part you’re most fitted to play is ‘wife of a terrorist’? How does it feel to have words from your native language misused, misappropriated and used aggressively towards you? How does it feel to hear a child of colour say in a classroom that stories can only be about white people? How does it feel to go ‘home’ to India when your home is really London? What is it like to feel you always have to be an ambassador for your race? How does it feel to always tick ‘Other’?

Bringing together 21 exciting black, Asian and minority ethnic voices emerging in Britain today, The Good Immigrant explores why immigrants come to the UK, why they stay and what it means to be ‘other’ in a country that doesn’t seem to want you, doesn’t truly accept you – however many generations you’ve been here – but still needs you for its diversity monitoring forms.

Inspired by discussion around why society appears to deem people of colour as bad immigrants – job stealers, benefit scroungers, undeserving refugees – until, by winning Olympic races or baking good cakes, or being conscientious doctors, they cross over and become good immigrants, editor Nikesh Shukla has compiled a collection of essays that are poignant, challenging, angry, humorous, heartbreaking, polemic, weary and – most importantly – real.

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I have not read a non-fiction in such a long time. I have many, pretty daft excuses, ranging from I don’t like the subject matter to I’m just too damn excited about the fiction that’s coming out and I just don’t have time. But I didn’t want these excuses to make me stop picking up The Good Immigrant.

Crowdfunded and supported into being published, The Good Immigrant is a collection of essays written by people of BAME (Black, Asian, Minority Ethnic) background and talks about life in the UK while being BAME. The only reason I had heard about it was because some of the contributors I actually follow on Twitter who were promoting the heck out of it (of course!) and I got my hands on it as soon as I could.

While social media has definitely done the most part in making me more aware of institutionalized racism, diversity in entertainment, casual racism and so much more, The Good Immigrant made these topics much more personal, especially when every single essay is taken from memories of experiencing oppression from straight up racial bullying at school to micro-aggressions at the airport.

A lot of the reviews I’ve read are ‘this book was too sad’ and I feel that if that’s all you got from this book, then you kinda missed the point of it. Yes, of course there are many sad parts; these experiences weren’t written about to make you feel… I don’t know, entertained? I mean sure, there were some especially funny essays and jokes, but to me, it was about listening and understanding voices that barely get a chance to speak even in today’s ‘tolerant’ society. Yes, it certainly may be better in some aspects, but in others? In the parts that aren’t so explicit? That you can easily not see or notice or ignore because you’re a white person? That’s what’s in the book. And while you can easily say ‘everyone should read this book’, I think realistically it’s better to say ‘if you want to consider yourself a white ally or someone who doesn’t want to contribute to what you think isn’t racist and damaging, then read this book’.

But also, just read it for the voices. Read it for the understanding. Read it because it is GOOD AND GREAT.

 

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When Dimple Met Rishi by Sandhya Menon

Publisher: Hodder & Stoughton
Release Date: 1st June 2017
Rating: ☆ ☆ ☆ ☆
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Meet Dimple.

Her main aim in life is to escape her traditional parents, get to university and begin her plan for tech world domination.

Meet Rishi.

He’s rich, good-looking and a hopeless romantic. His parents think Dimple is the perfect match for him, but she’s got other plans…

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Dimple and Rishi may think they have each other figured out. But when opposites clash, love works hard to prove itself in the most unexpected ways.

This book is damn cute.

When Dimple Met Rishi is, in many ways, a pretty standard contemporary YA novel, with hilarious hijinks, serious issues and scenarios, and sometimes dramatic but realistic portrayal of a heterosexual teen relationship. But it’s also so much more than that.

It’s not conventional, it’s not the standard, it’s actually telling a story that is not often told; the lives of two Indian-American teenagers, fighting for their place in a society which is fighting against them, whether it be the colour of their skin, their class, or their gender.

Dimple is a talented coder, whose dream is to win a competition that would have her present an app idea to a top revolutionary in the techie world, and we see her struggle in a world of rich white kids who get ahead of her for reasons that shouldn’t matter when it comes to succeeding in the industry.
Rishi comes from tradition, a religious family who only wants what’s best for him, and that’s an arranged marriage with a girl he barely knows. We see the difference in generations, especially on a topic that’s considered really controversial in the Western world and are offered a different perspective which I really enjoyed.

I loved Dimple and Rishi’s back and forth and the way they worked together despite their initial meeting and how caring and respectful they were of each other. And it was actually nice to see a contemporary love interest that wasn’t a dick disguised as an unobtainable mystery (nice one Rishi!).

This book comes out pretty soon, so if you’re looking out for a summery contemporary that’s not a complete U turn from the formula you already love, but still a turn into a new, diverse direction, then When Dimple Met Rishi should be on you TBR!

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Always & Forever, Lara Jean by Jenny Han

Publisher: Scholastic
Release Date: 4th May 2017
Rating: ☆ ☆ ☆
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Lara Jean is having the best senior year a girl could ever hope for. She is head over heels in love with her boyfriend, Peter; her dad’s finally getting remarried to their next door neighbor, Ms. Rothschild; and Margot’s coming home for the summer just in time for the wedding.

But change is looming on the horizon. And while Lara Jean is having fun and keeping busy helping plan her father’s wedding, she can’t ignore the big life decisions she has to make. Most pressingly, where she wants to go to college and what that means for her relationship with Peter. She watched her sister Margot go through these growing pains. Now Lara Jean’s the one who’ll be graduating high school and leaving for college and leaving her family—and possibly the boy she loves—behind.

When your heart and your head are saying two different things, which one should you listen to?

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Unfortunately, I do not think Always and Forever, Lara Jean lives up to it’s predecessors.

While all three books in the To All The Boys I’ve Loved Before trilogy definitely exude this feeling of living on a pink, fluffy cloud that smells like bubblegum and cake mixture, this last book feels a little different to the others…it doesn’t really have a plot.

Unlike the first two books where there’s the whole fake boyfriend scenario in book one, and then relationship drama and a love triangle in book two, book three just sort of happens. I love Lara Jean and enjoy getting this insight into her life but AAFLJ just came across as diary entries that she was forced to write for a Creative Writing class that she’s not really into.

There’s no conflict, and if there is even a little, it’s no big deal and it’s easily resolved. The word I would call this book is: mild. It’s a chicken korma. I like chicken korma, but it’s not exactly my most adventurous choice of a dish.

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The Love Interest by Cale Dietrich

Publisher: Feiwal & Friends
Release Date: 16th May 2017
Rating: ☆ ☆
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There is a secret organization that cultivates teenage spies. The agents are called Love Interests because getting close to people destined for great power means getting valuable secrets.

Caden is a Nice: The boy next door, sculpted to physical perfection. Dylan is a Bad: The brooding, dark-souled guy, and dangerously handsome. The girl they are competing for is important to the organization, and each boy will pursue her. Will she choose a Nice or the Bad?

Both Caden and Dylan are living in the outside world for the first time. They are well-trained and at the top of their games. They have to be – whoever the girl doesn’t choose will die.

What the boys don’t expect are feelings that are outside of their training. Feelings that could kill them both.

Apparently this year’s running theme is ‘being disappointed by my anticipated reads’. Because boy, am I getting disappointed by my anticipated reads.

I came across The Love Interest and begged every single gatekeeper to give me an early copy. Not only was it LGBT, it also seemed to be a funny self-deprecation at the genre and how many YA novels have the same romance tropes which are tired and clichéd.

When I was ignored, I waited for the Kindle edition and impatiently downloaded it on the release day (for £6.50, for God’s sake). I prepared myself for a full day of reading the whole thing; just me and this book, which I already knew I loved.

Oh. My. God.

This book is bad, which I hate to say about a book that I had such good expectations for. It does not read like a polished, traditionally published novel by a top publisher where editors have fine tooth combed it to perfection. This is a book that was clearly not looked at enough. Not read out loud to understand truly how badly structured and paced this whole thing is.

We’ll start with the writing, which I can only describe as written as bad stage directions. Every single thing is described, things that do not matter to the plot whatsoever. It’s not even purple prose, it’s just listing everything a person does or what a place looks like to the point where we are forced to shut down our imagination because everything is covered. But there’s no creativity; it’s just straight up describing and explaining. Here’s one mind numbing paragraph:

“”If it’s not too much trouble, can you chop up this celery for me?” A gigantic piece of celery is sitting on a wooden chopping board. I walk toward it and pick up the silver knife. I cut off the head, the slice the body into thin slivers.”

Apparently a reader cannot possibly know what chopping celery is, and so is taken through every step the main character goes through in order to fully understand this scene. Now, imagine this throughout the entire book. I felt like I was being talked to like an idiot. The protagonist walks into a room, the character smiles and breathes in and then breathes out. He then walks 30cm to the North West of the room and reaches for a pen, he picks up the pen……and it goes on. There is even a scene where two characters are out for a meal and nothing happens. We just get told that they lift up their forks and put food in their mouth and chew. AM I GOING CRAZY? I KNOW WHAT EATING FOOD IS.

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The dialogue is also just…not dialogue. It doesn’t sound authentic or real. I’m not expecting a book to write speech so accurately that it becomes a transcript, but to have characters talk as if they’re reading from a teleprompter is so bizarre. They don’t pause for breath, they just keep saying ‘oh also,’ and ‘anyway enough about that’ and just keep going. They have answers without thinking about things, like they’ve rehearsed what they’re going to say. And even though the love interests in the novel do sometimes have rehearsed lines, not everyone does! They all sound like robots! The only way I can explain it is if you and a mate got the book and acted a scene out. Hear the dialogue out in the open, and then you’d realise it sounds like a bad amateur play.

The characters? I don’t know. Caden, from the beginning, we are told does not feel like he is a Nice because he doesn’t fit the mould. He says he’s selfish and is out for himself, and I understand it’s supposed to be a commentary on unrealistic characterization and that real people aren’t ‘nice’ or ‘bad’ but more of a mixture of the two with some leaning more one way than the other. I got that. But Caden isn’t much of anything? He says that he thinks a certain way but we don’t actually see it? He’s just a bit of a wet mop. They all are; even Dylan, the ‘bad’ who at first came across as a manic pixie dream boy, but then becomes like that character Summer from 500 Days of Summer. He’s wishy-washy and both of them just stand around and say stock sentences.

The premise, the plot that there’s this place where they create perfect people to be spies and make target’s fall in love with them is…I get it. It’s a sci-fi aspect to the common tropes in YA. You’re supposed to suspend your disbelief, but I physically couldn’t. There’s not enough exposition for this concept to land properly. We’re not given enough. After reading this, and someone asked me to explain exactly what the Love Interest Compound (LIC) is, I wouldn’t know what to tell you. Is it a prison? Is it a nice place? Is it awful? How do they find love interests? How do they raise them? Why do they kill them? Where has all this money come from to spend on giant robots and cool holograms that people can conjure up with a flick of a finger? If they deal in secrets and information from their targets, how has that information not caused world war three? Or the collapse of society? I DON’T KNOW. I felt like it could have been something a lot smoother and polished and clever, but instead there just wasn’t enough. You were in there, and then suddenly you were made to forget about it and plopped into a YA contemporary, where the threat of death is still there but no one is that bothered. It doesn’t feel like a big deal.

I’m so disappointed. If this was a gripping story with humour mixed in with a thoughtful message, it would have been so much easier to look past some of the hammy stuff. But a badly written book is a badly written book, and I hope that the author continues to write and gets better editors.

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The Upside of Unrequited by Becky Albertalli

Publisher: Penguin
Release Date: 11th April 2017
Rating: ☆ ☆ ☆ ☆
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Plot: Seventeen-year-old Molly Peskin-Suso knows all about unrequited love-she’s lived through it twenty-six times. She crushes hard and crushes often, but always in secret. Because no matter how many times her twin sister, Cassie, tells her to woman up, Molly can’t stomach the idea of rejection. So she’s careful. Fat girls always have to be careful. 

30653853Then a cute new girl enters Cassie’s orbit, and for the first time ever, Molly’s cynical twin is a lovesick mess. Meanwhile, Molly’s totally not dying of loneliness-except for the part where she is. Luckily, Cassie’s new girlfriend comes with a cute hipster-boy sidekick. Will is funny, flirtatious, and just might be perfect crush material. Maybe more than crush material. And if Molly can win him over, she’ll get her first kiss and she’ll get her twin back.

There’s only one problem: Molly’s coworker, Reid. He’s an awkward Tolkien superfan, and there’s absolutely no way Molly could fall for him. Right?

I received an eARC from Penguin in an exchange for an honest review.

So this is a very cute book, like super cute.

Imagine a rom-com, with very little conflict and lots of teen drama, but so much better because not everyone is white and not everyone is straight.

The Upside of Unrequited was a very realistic and lovely insight into an alternative family lifestyle that’s loving and just as normal as any other. It’s also a very complicated look at the self-esteem of teenage girls and how new romance can be affected by that. I very much related to main character Molly now, more so than I would have when I was as a teenager (skinny and in a long term relationship), but I still find that appealing and it’s what makes Molly so loveable.

It’s great to read a book where LGBT people are happy and living a happy life. It’s possible, but many LGBT books concern themselves with so much drama and death and suffering. While I understand there has to be some drama within a book to actually have a plot, I found it refreshing that it didn’t ruin everything in it’s wake.

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Beautiful Broken Things by Sara Barnard

Publisher: Macmillan
Release Date: June 2016
Rating: ☆ ☆ ☆ ☆
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Plot: Best friends Caddy and Rosie are inseparable. Their differences have brought them closer, but as she turns sixteen Caddy begins to wish she could be a bit more like Rosie – confident, funny and interesting. Then Suzanne comes into their lives: beautiful, damaged, exciting and mysterious, and things get a whole lot more complicated. As Suzanne’s past is revealed and her present begins to unravel, Caddy begins to see how much fun a little trouble can be. But the course of both friendship and recovery is rougher than either girl realises, and Caddy is about to learn that downward spirals have a momentum of their own.

25437747I love reading books set in Britain, and it’s kind of a sad sentence. Because despite living in the UK, and having a passion for books, I still find it difficult to find them set in Britain and written by British authors. So, when I do, I snap them up pretty quickly.

Beautiful Broken Things was no exception. And, since it was in the Zoella Book Club last year, I thought it’d be nice to pick up a book that supported a campaign to get young people reading, as well as hearing that it touches on serious subjects well.

And it did, however, it was one of those stories when the main character was over shadowed by another character who clearly had too much sway in how the story was going to be told. Caddy is an alright main character, but she’s so privileged that she’s jealous of her new friend Suzanne. She ends up saying and doing silly things and then gets upset when people react badly, and there isn’t necessarily any development for her.

Despite this, I really enjoyed the themes discussed in this book. There is no romance (unless you found the scenes between Suzanne and Caddy to be borderline romantic), and the story solely focuses on the dynamic between teenage girls, and what they’ll do to be liked and fit in. It’s hard to find a story that focuses on female friendships in a healthy and realistic way, as well as promoting the idea that girls can actually be friends (who’d a thought it). It’s tiring seeing so many YA novels where girls automatically dislike each other because of a boy or just for the sake of it. So, with that in mind, I gave it a 4 stars. It was gripping, with a great message, but with a bland MC with very little action until the end.

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P.S. I Still Love You by Jenny Han

Publisher: Scholastic
Release Date: May 2015
Rating: ☆ ☆ ☆ ☆
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Plot: Lara Jean didn’t expect to really fall for Peter.

She and Peter were just pretending. Except suddenly they weren’t. Now Lara Jean is more confused than ever.

When another boy from her past returns to her life, Lara Jean’s feelings for him return too. Can a girl be in love with two boys at once?

So after putting this review off for a while, I can safely say that I’m not as pissed off about it as I originally thought.


Lara Jean and her life is still a warm hug. She takes pride in making herself and her surroundings cute, as well as caring for her younger sister and generally just being an all-around Goddess when it comes to general housekeeping.

But it pains me to say that her love interest, Peter, is just a sack of shit.

Granted, he is nowhere near as bad as some love interests I’ve had the pleasure to read. In fact, Peter is a very realistic (but also stereotypical) representation of a teenage boy; he’s horny, selfish, boisterous, and has a very little understanding of how his actions can negatively affect others. While Lara Jean is quite the innocent, fragile little snowflake, it’s still frustrating for me to see her forgive Peter and be so understanding of him when he is not very understanding of her.

Especially when another boy walks into her life who is actually a ray of sunshine. John is respectful, funny and caring. I didn’t want to be the type of person who got angry when their ships didn’t sail. Been there, done that, but in this case there isn’t really a gray area to who Lara Jean should ‘choose’. I’d also recently watched Bridget Jones’ Baby and had the same problem; just because the audience/reader is familiar with a certain love interest, does not mean that should be the one the MC goes for.

The things I did enjoy were the relationships between Lara Jean and Kitty as well as with their father. I also just enjoy the whole aesthetic of the novel, how cute and pretty and particular the setting and the story line is. The detail, the baking, the arts and crafts. It’s sad to think that all of these things can boost it up to a 4 stars, but if Peter was flung off the page and didn’t exist anymore, this story would probably have made it to a 5.

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