The City of Brass by S.A. Chakraborty

Publisher: Harper Voyager (Harper Collins)
Publication Date: 8th March 2018
Rating: ☆ ☆ ☆ ☆ .5
Goodreads

Nahri has never believed in magic. Certainly, she has power; on the streets of 18th century Cairo, she’s a con woman of unsurpassed talent. But she knows better than anyone that the trade she uses to get by—palm readings, zars, healings—are all tricks, sleights of hand, learned skills; a means to the delightful end of swindling Ottoman nobles. 

But when Nahri accidentally summons an equally sly, darkly mysterious djinn warrior to her side during one of her cons, she’s forced to accept that the magical world she thought only existed in childhood stories is real. For the warrior tells her a new tale: across hot, windswept sands teeming with creatures of fire, and rivers where the mythical marid sleep; past ruins of once-magnificent human metropolises, and mountains where the circling hawks are not what they seem, lies Daevabad, the legendary city of brass?a city to which Nahri is irrevocably bound. 

In that city, behind gilded brass walls laced with enchantments, behind the six gates of the six djinn tribes, old resentments are simmering. And when Nahri decides to enter this world, she learns that true power is fierce and brutal. That magic cannot shield her from the dangerous web of court politics. That even the cleverest of schemes can have deadly consequences. 

I have a lot to say about this book, but it’s really hard to not just pack it all in with a ‘fantastic!’ and then move on.

I’ve been reading this book for a long time, or at least picking it up and putting it down again. If you haven’t heard the story which I go on about constantly about how I got my hands on an early copy of The City of Brass, then I talk about it in detail in on my post about 2017’s YALC which you can read here (don’t forget to come back to this review!) but I’ll just say this. While I didn’t technically get handed this or sent this by someone from Harper Collins, I want to thank them no less for this glorious advanced copy that I will be telling everyone to read when it comes out!

The City of Brass was a hard one to rate just because it’s largest pitfall was the characters. Our main characters, Alizayd and Nahri, I absolutely adore. They’re sweet, smart, passionate, and they both go through so much development from their humble beginnings as a religious soldier and a conwoman and hustler, respectively. What I can’t wrap my head around are the rest of the characters.

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The story, for the majority of the time, takes place in the city of Daevabad, once a beacon of industry, diversity and development, has had it’s history of tribes and people overthrown to what it is now; a mixture of different people who live separate from each other and can’t stand one another. For a lot of the book, I was confused as to who was who and ultimately, who are the ‘good’ guys and the ‘bad’ guys. I assumed this is supposed to be the case and to show that no ‘tribe’ (the term they use for each community of people) is better than the other in our eyes. The city is mainly divided into three quarters (I think?), the Djinn, the Daeva, and the Shafit. The Daeva and the Djinn are pretty much the same people, except that many years ago a group of Daeva began calling themselves Djinn because the Daeva were too religious, puritanical, and hated humans. Djinn began calling themselves Djinn because it’s what humans called them, and they actually like humans, often ‘interfering’ with their lives and reproducing with them, creating a new form of Djinn, called the Shafit who are hated by everyone and have no rights.

This is how I see it: Daeva – Upper middle class, Djinn – Lower middle to working class, Shafit – The underclass. However, the ruling class (the monarchy), are a mixture of Daeva and Djinn, and the family that wear the crowns are Djinn but from a different country. They hold their history and prejudice against the Daeva, yet still accomodate them to the point where they neglect their own people and ruin the lives of Shafit…all for the Daeva. However, the Djinn are also horrible to Daeva, who are often outnumbered by the Djinn and Shafit who make their lives Hell. It’s…a lot to take in.

So when I say that different characters belong to different tribes, I found it difficult to find who I should root for and who I should want to see fall. This was especially the case with Dara, a Daeva Ashfin (soldier) who I consider a main character despite not having a POV. He is with Nahri for the whole book, being the only lifeline she has most of the time, and yet his views on the Shafit and the Djinn are so horrible I would reel my head back from looking at the book and just wish he would fuck off. And it was made worse when our hero, Nahri, one of two characters I actually liked, liked him and believed the things that he said. But, as the story progressed, I began to see that Nahri felt the way I felt, and it made me realise that Chakraborty purposefully wrote these characters this way to show that humans (or in this case, Djinn and Daeva) are morally grey, and yet that gret morality can affect others in devastating ways (the Shafit).

While this dominated my reading time and was a true mind-fuck (brought upon by myself), I genuinely loved this book. Any historical fantasy set in the middle east is going to catch my eye anyway, but The City of Brass is the cream of the crop. It’s political (as you can see from my word vomit above), beautiful in it’s setting and description of the culture, the food, fashion, and grand temples you can see from the horizon. At times it made feel warm and cozy, and other times I felt cold and my skin was riddled with goosebumps. A book that can make your body react like that is powerful. And that’s exactly what this book is.

The City of Brass comes out in the UK 8th March 2018, but is already out in the U.S. It doesn’t have enough buzz in my mind, and so I will be thoroughly raving about it this March.

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The Best & Worst Books of 2017

2017 is coming to an end, and while I’ve had a fantastic year filled with fantastic books, there’s always that select few that let the whole class down. These are the best and most disappointing books I’ve read in 2017.

Best

Godsgrave (The Nevernight Chronicles) by Jay Kristoff

I’ve been excited for Godsgrave since I finished Nevernight, sat on a balcony in Bavaria Germany, back in June 2016. I couldn’t wait for it to actually be released, and entered every competition, giveaway, and even emailed the publisher to get my hands on it early. But to no avail. Thankfully, the Netgalley gods blessed me and finally provided a UK e-arc online and when I received that email saying I was approved to read it, I dropped everything to start it. Of course, it was fantastic, and I loved every minute. I then bought a signed hardback and am now sat here waiting for the third book. As you do. My review is here.

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The Arsonist by Stephanie Oakes

This one did not exist in my life until I saw it as an ARC while perusing through stalls at YALC. There was no queue, no competition, there was just a pile sat there which you could take if you just provided your email address. It was a floppy paperback, which instantly made me want to own it, and I’m so glad I read it. It’s such an epic story that spans generations that no one seems to be talking about. I love it when a book that I knew nothing about surprises me. My review is here.

A Conjuring of Light by V.E. Schwab

Of course a V.E. Schwab book is going in here. For every year I’ve been blogging, I’ve had a V.E. Schwab book wriggle it’s way into a favourites. I adore her writing, her characters, her magic systems. It’s all so elegant. So, you bet your ass I cried when the finale to The Shades of Magic came out. I bought it at Waterstones, just a few doors down from my then-work, on my break, and snapped a picture of it to mark the occasion. My review is here.

Now I Rise by Kirsten White

I think I gave And I Darken, the first in this series, four stars, which is a bit strange because I absolutely adored Now I Rise. I don’t think I knew what to expect when it came to this series and grabbed And I Darken at YALC last year and have become hooked. It’s a retelling of the story of Vlad the Impaler as a young girl named Lada and her childhood and how she becomes a bloodthirsty ruler, along with her soft boy brother, Radu. My review is here.

History Is All You Left Me by Adam Silvera

I mean, is it really an Adam Silvera story if it doesn’t make you cry? History Is All You Left Me is by far my favourite Silvera novel; I cried on the first page. Every line, every part of this book is so beautiful and emotional and so real, I think that’s why I cried a lot. I couldn’t read this in public out of fear of bursting into tears. I don’t know if this will persuade you to read it but hopefully my review will.

Worst

Caraval by Stephanie Garber

This book was such a shame. The hype and marketing for this book was incredible. I saw it everywhere; in ads, in interviews, in people’s tweets just going crazy for it. The amount of people who had already added it to their TBR was incredible. Proofs had been sent out and people were glowing about it. So, I asked for it for my birthday, and read it, and gave it two stars immediately. This book was TERRIBLE. It was boring, poorly developed, and annoying. My review is here.

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Love and Gelato by Jena Evans Welch

Love and Gelato was just a flop. It definitely has the appeal; about a girl who, after her mother dies, goes to live with her estranged father in an Italian countryside villa and learns about the past of her mother. It gave me The Arsonist vibes, but a cutesy summer version rather than a harrowing war-torn country version (like The Arsonist was). But actually, it was just a lot of blah. It was luke-warm porridge left out too long. However, I feel like others would enjoy it, but not for me. And it’s in this list because I was stuck in Italy with it. That’s right, I bought set in Italy while in Italy because I thought I would be all cute but instead it did this to me.

All The Crooked Saints by Maggie Stiefvater

This book was also a shame, but I’m not surprised. I love The Raven Cycle so much. I love how, you may think this an urban fantasy that’s plot heavy, I found it to be an in-depth character study that kind of allowed me to ignore the plot if I so wished. I think that’s what All The Crooked Saints was trying to be too and of course; this is Maggie Stiefvater’s writing style. But it was her writing style x100. It was super confusing. There was so much purple prose and going off on tangents that I didn’t know what was going on. I didn’t even review it because what would I review? They were just a bunch of words strung together that I didn’t understand.

The Love Interest by Cale Dietrich

Now if we’re gonna talk about shame, then this book takes the cake. Oh my God what a SHAME. Most of the time, if a book has LGBT focus, I’ll pick it up. I gotta rep my community and honestly? They just make for better reading, in my opinion. I got super excited about The Love Interest because it was a twist on the spy genre. You know, the spy genre? Coated in misogyny and heteronormativity. But this book was going to be different; about two boys tasked with seducing the same woman only to fall in love with each other. DOESN’T THAT SOUND AMAZING?

Thing is, I read the first page and knew this wasn’t going to be as fun as I thought. I explain why extensively in my review but to sum up my feelings: very, very bad writing.

If you’re looking for more books I’ve adored throughout the years, I have a category on Goodreads called ‘faves’ which you should definitely check out! As for my most hated books? Here’s the category ‘just awful’.

Happy reading!

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The Hate U Give by Angie Thomas

Publisher: Walker Books
Publication Date: April 2017
Rating:  ☆ ☆ ☆ ☆ .5
Goodreads

Sixteen-year-old Starr Carter moves between two worlds: the poor neighborhood where she lives and the fancy suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Khalil was unarmed.

Soon afterward, his death is a national headline. Some are calling him a thug, maybe even a drug dealer and a gangbanger. Protesters are taking to the streets in Khalil’s name. Some cops and the local drug lord try to intimidate Starr and her family. What everyone wants to know is: what really went down that night? And the only person alive who can answer that is Starr.

But what Starr does or does not say could upend her community. It could also endanger her life. 

I hate to say what almost every single review of this book has said, but I’d rather say it now than talk about it at length. This book is important. I’ve used it to describe books before and I’m kind of getting sick of it. It does it’s job, but at the same time, is that all this story is good for? Of course not. Stories are important, of course, but I don’t think people should feel like they have to read it because it’s important. It should be read to have a better understanding of what’s going on in the U.S. today, and why it needs be written about.

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I loved The Hate U Give, for many reasons, but none of them were because this book is important.

I loved this book because it was different. I love looking for new stories to devour that aren’t the same old same old that we see cover the shelves at Waterstones. This was a story that I had only seen in the news; twisted and manipulated by the media to only show us one perspective. While this story is a work of fiction, it’s very real and and no doubt accurate. It was a change, and refreshing.

I loved this book because it was entertaining. I loved Starr’s family dynamic and the relationships she had with her parents, her siblings, her boyfriend, and her friends. The community she lives in that, while riddled with crime and neglected, still gave me a warm, familial feel that showed us that family stretched further than the walls of your house. Starr’s personality shone from the page, even when she was going through such devastating events. She wasn’t a ‘strong female character’, she was a real female character.

I loved this book because of the impact it will have. As a white woman who hasn’t even set foot in the U.S., I’ve seen my fair share of black stereotypes, and often it was odd for me to read depictions and passages and dialogue and not think it racist. I think, if this were written by anyone else, it would have been deemed questionable, but you cannot question the experiences of a black person about black culture. This was one depiction, but it was a true and experienced depiction (obviously not word for word, The Hate U Give isn’t an autobiography). But the thing is, I was thinking about it along the lines of ‘white people are going to read this and think all black people talk/act like this in this ‘ghetto way’ oh no’. But to be honest, this book isn’t really for them if they’re going to read it and come away with that rather than any of the other very explicit messages in this story. And plus, this story was written to inform yes, but mainly, to represent. There are so many young POC who love to read and yet all they get to read about are people they cannot relate to, about people who wouldn’t listen to them if they tried to share their story. So to have The Hate U Give depict one of the frank and honest and accurate depictions of being black in the U.S. today to black teens who are living this shit is by far a better thought to come away with than what white people may think about it.

You may be wondering why I’ve only given it 4.5 stars after raving about it for so long. I’ve literally just taken away half a star just because this wasn’t a book that I was glued to. I was easily taken out of the story because a lot of the dialogue I had to go back and read because I wasn’t sure if I’d ingested it correctly. I’ve had this with other books before that are either written with a dialect or even in phonetic speech (damn you Trainspotting!) and so that was a pain. But thankfully, it didn’t take away from the story and I was still able to enjoy despite being a slow reader!

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Warcross by Marie Lu

Publisher: Penguin
Release Date: October 2017
Rating: ☆ ☆ ☆ ☆
Goodreads

For the millions who log in every day, Warcross isn’t just a game—it’s a way of life. The obsession started ten years ago and its fan base now spans the globe, some eager to escape from reality and others hoping to make a profit. Struggling to make ends meet, teenage hacker Emika Chen works as a bounty hunter, tracking down players who bet on the game illegally. But the bounty hunting world is a competitive one, and survival has not been easy. Needing to make some quick cash, Emika takes a risk and hacks into the opening game of the international Warcross Championships—only to accidentally glitch herself into the action and become an overnight sensation.

Convinced she’s going to be arrested, Emika is shocked when instead she gets a call from the game’s creator, the elusive young billionaire Hideo Tanaka, with an irresistible offer. He needs a spy on the inside of this year’s tournament in order to uncover a security problem . . . and he wants Emika for the job. With no time to lose, Emika’s whisked off to Tokyo and thrust into a world of fame and fortune that she’s only dreamed of. But soon her investigation uncovers a sinister plot, with major consequences for the entire Warcross empire.

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I love cyberpunk.

I barely see it in YA. Maybe I’m not looking in the right places? Maybe it’s just not trendy right now, but I hope that the release of Warcross (and hopefully the success of it) will make it trendy.

Warcross is set in a…what I would say is an alternative present or maybe the not-so-distant future, where everyone can plug into the Neurolink, a fancy kind of VR created by young hot shot Hideo Tanaka who also created the game Warcross. The Neurolink is actually a lot more than just Warcross, and overlays a virtual world over the real world and is actually something that would be really beneficial to our world. You’re not completely disconnected from the real world yet hooray for technological advancement that helps peoples’ lives!

However, this part of the story is not supposed to be more interesting than Warcross, the actual title of the story.

While I loved the characters, the subtle world building that was a mix of a world from Black Mirror and Ready Player One, I was a little disappointed by the game itself, Warcross, which wasn’t as immersive as I thought it would be. I had trouble picturing the game as something that the players were going into, that they got lost in. I was very aware that they were just sat in chairs and waving their arms about.

But I think the weaknesses of this book are overshadowed by it’s strengths. There was political intrigue, dark pasts, and a strong cliffhanger for the sequel that’ll have me reading right through until the very end.

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Strange The Dreamer by Laini Taylor

Publisher: Hodder & Stoughton
Release Date: March 2017
Rating: ☆ ☆ ☆ ☆ .5
Goodreads

The dream chooses the dreamer, not the other way around—and Lazlo Strange, war orphan and junior librarian, has always feared that his dream chose poorly. Since he was five years old he’s been obsessed with the mythic lost city of Weep, but it would take someone bolder than he to cross half the world in search of it. Then a stunning opportunity presents itself, in the person of a hero called the Godslayer and a band of legendary warriors, and he has to seize his chance or lose his dream forever.

What happened in Weep two hundred years ago to cut it off from the rest of the world? What exactly did the Godslayer slay that went by the name of god? And what is the mysterious problem he now seeks help in solving?

The answers await in Weep, but so do more mysteries—including the blue-skinned goddess who appears in Lazlo’s dreams. How did he dream her before he knew she existed? And if all the gods are dead, why does she seem so real?

1509457980918Welcome to Weep. 

I honestly loved this so much.

About a librarian who devours stories of adventure, Lazlo Strange is the puppy protagonist you always want to read about. He’s a humble hero, with dreams far beyond his life inside the library, carrying the dreams of others on his back. Instead, Lazlo dreams of the lost city of Weep, shrouded in mystery where no one remembers it’s name or it’s face.

I have Laini Taylor’s other trilogy, The Daughter of Smoke and Bone trilogy, in hardback, maybe in not so pristine condition, and they just do not read as well as Strange the Dreamer does. I had trouble with the writing, and I could never remember what I had just read, or picture what was happening. But here I got the whole thing; I could easily imagine myself dropped right into the centre of Weep and see before me white buildings and blue tiles, with blue people living above me in a citadel that shielded the sun.

So, maybe not so picturesque, but still magical.

This feels a lot like a fantasy mixed with fairy tales and historical fiction, which I’m getting a kick out of at the moment. The magic was beautiful and delicate and particular, and I loved how Sarai struggled to deal with a gruesome past that her parents’ left her with while trying to deal with the people who hate her and her friends for it. It was definitely reminiscent of how people pass the burden onto younger generations in order to find a place to put their prejudice.

Beautiful, dreamy and a whole lotta strange.

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Everless by Sara Holland

Publisher: Harper Collins
Release Date: 2nd January 2018
Rating: ☆ ☆ .5
Goodreads

The novel, pitched as Red Queen meets Downtown Abbey, is set in a kingdom where time is a commodity that flows through the blood and is hoarded by the rich, and centers on a 17-year-old girl who becomes the next handmaiden at the Everless Estate only to find herself at the heart of a centuries-old rivalry over the secret to immortal life.

1507201345324So this was kind of…blah. And I hate saying that, because ‘blah’ isn’t a good review is it? But how can you describe a book that makes you feel nothing?

Everless is pretty much a textbook YA court fantasy story. I knew what would happen, and it felt horrible that I didn’t care. My mind began to automatically skip over sentences that weren’t dialogue until at one point I didn’t even know what was going on and had to force myself to go back over it. It still didn’t make sense.

There seems to be a half formed plot about Jules’ past that makes her obviously ‘special’, but what it is is half-assed and doesn’t make for much of a shocker moment. Yeah, of course she’s special, yeah of course she’s the only one who can save the kingdom. The rest of the characters? Kinda boring, a bit 2D. I only gave it 2.5 stars because the beginning didn’t at least drag and I kind of enjoyed the magical ‘blood-iron’ system that allowed people to pay in time.

Something very refreshing in this story however was the inclusion of LGBTQ characters within the world. While it was unfortunate that they were side characters, or extras just passing through, it really showed the kind of worlds that Holland will be writing in the future. Inclusive, diverse, and different. It’s so hard to find historical-esque fantasy that will include dragons but find non-straight people ‘unrealistic’, and so I am pleased that we’re finally building the blocks to a more well rounded genre.

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They Both Die At The End by Adam Silvera

Publisher: Simon & Schuester
Release Date: 7th September 2017
Rating: ☆ ☆ ☆ ☆
Goodreads

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When Mateo receives the dreaded call from Death-Cast, informing him that today will be his last, he doesn’t know where to begin. Quiet and shy, Mateo is devastated at the thought of leaving behind his hospitalised father, and his best friend and her baby girl. But he knows that he has to make the most of this day, it’s his last chance to get out there and make an impression. 

Rufus is busy beating up his ex-girlfriend’s new boyfriend when he gets the call. Having lost his entire family, Rufus is no stranger to Death-Cast. Not that it makes it any easier. With bridges to mend, the police searching for him and the angry new boyfriend on his tail, it’s time to run.

Isolated and scared, the boys reach out to each other, and what follows is a day of living life to the full. Though neither of them had expected that this would involve falling in love… 

This is the first Adam Silvera novel where I haven’t cried, which is sad in itself because I love it when I cry at Adam Silvera novels. You’re supposed to cry; you’re supposed to have emotion pouring out of you. So while I enjoyed They Both Die At The End, there was always a small voice in the back of my head wondering why I don’t have butterflies in my stomach and my eyes not on the verge of tears.

I loved both Mateo and Rufus and how distinct their voices were. They definitely complimented each other and would have loved to see their relationship evolve, but I think it would have felt a little more realistic if maybe there was a bit more time in between them meeting and falling in love? I already had to suspend my disbelief with Death-Cast which, I really couldn’t, and it glared out at me while I was trying to concentrate on other part of the stories.

I want to point how happy I was when I found out that Rufus was bisexual. This isn’t a spoiler, a character’s sexuality isn’t a spoiler or a plot reveal, but it was so lovely to see the word used, to have a character to say that they are bisexual and to be proud and wear the label on their sleeve without any ‘I don’t use labels’ or ‘I’m just fluid’. Sometimes, people are bisexual, and characters who allude to be don’t say it enough in canon. So thankyou Adam Silvera. BISEXUAL VISIBILITY! *raises fist*

Great third novel by one of my favourite authors. But not my favourite novel by one of my favourite authors.

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